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Shakespeare's Monkeys

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Dying Between Time's Walls

 

 

 

 

There stillness spread infinity,

A quiet bed's eternal peace,

a weightless blue expanse,

his head stretched silent universe

and wrapped within its black embrace.

 

He felt the white skin of his face,

become a map of spheres and stars,

those worlds surrounding his might reach,

he woke and stared through metal bars.

 

He drew the symbols on his face,

midnight's forehead above clouds

that ticked in sleepless progress toward

his ear near cheek, on left's third hour.

 

He killed time slowly in his head,

but racing treason's nature kept

repeating thoughts that made him weep,

his lapsing tock slipped backwards deep,

escaping time, he dreamt of sleep.

 

The gavel drummed its fitful drag,

year's shackled ankles,  shuffling waste,

without each cramming minute's loss,

the language of sun's crossing rays,

blocked out by concrete walls, his days,

held hostage by a sliding tray.

 

A decade's loaded mind took aim,

plans firing round each hour edged plate,

each moment's perfect tense was now,

but hesitation made him late,

beginning's prophecy delayed.

 

On each seditious wrist a-glow,

the system's strapped-on cock would crow,

the left in neon, numbers slow,

by right's bold strutting certainty,

he smashed them both, then sat not knowing

hours of inactivity, made him a metronome.

 

He ate the endless holes he dug,

in dreams the floor was soft and brown,

in dreams his rapid sliding eyes

scooped tongue filled freedom closer

down, he slipped inside himself, the hole

just big enough to free his soul,

and crawled toward darkness,

hours of sight, behind those blinded

by the night,

 

Then waking hard to face the wall,

face hiding from the mocking thrall

of those long broken breaking all,

to die for one more day.

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Comments

EmilyRose - on May 19 2008

 

 

Lord, do I love this.

 And how I would love to workshop this piece.

There is a line I trip on:

"hours of inactivity, made him a metronome."

I love what your saying but the rhythm is off somehow.  The comma?  Inactivity made him a metronome?  I'm not sure.  It's almost there.  It's a tip of the tongue thing.  Poetically speaking.

 And then there is a line that enthralled me!

"his ear near cheek, on left's third hour"

What a great line!  Full stomach, rich!

This is not the stuff you can read on line and digest.  It's a workshop poem.  It's a print out, sit down, sip wine with a group of poets and discuss poem!

 KUDOS!

MY MY MY MY!

Something that makes you think!!!!! 

 

 

 


Celticlion - on May 20 2008
Thank you so much for your review E.R., and for such lovely comments. That trpping line was one I was trying to use to say that inactivity makes us count the minutes almost as if we were metronomes "keeping time", so to speak. Especially when we'd love to give it away more than anything else. But it might not be working. I know this whole poem is written in a strange rhythm- I actually do write in rhyme and in genuine free verse but at times I do this quasi-slant-meter thing and I don't know why, except that to my ear it gives the poem a sense of structure or a skeleton for the limbs to reach from. Does that make sense? Your idea of a poet's workshop sounds like heaven. I've never experienced anything like that. Maybe someday...Thank you, again. Yours, Catherine
EmilyRose - on May 20 2008

Hours of activity, him made a metronome?

That line just seemed to skip?  But, as I said, it's this piece needs to be read aloud at a workshop, a reading.  Google your local Barnes and Noble, Borders, find a workshop.  Join!

 I loved the rhythm of it, and the language you chose,  Quite often, poets choose to speak only in plain language, only in free verse or a modern beat poetry.  This was intricate and apparently well labored over, loved.

It's a beautiful piece.  It's lush, .


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