![]() Kath Abela Wilsonfrom after the dance 290 posts | a lot of excitement here, and if I could...I would take out line # two... just skip it, and leave that to the imagination. I'd skip right to .."And I,..."--it feels stronger and more mysterious. I would take out the capital letters...as in "Disintegrate"--I would neat the end... and lastly take out the two lines that begin "Unspeakable...to truth" and just use those potent last two lines. That way it is more evocative, I think. This is a very enticing piece, and inviting-- and I think you have even more than you need... these are personal preferences...but for me it makes your work even more inviting when you pare it down a little and one feels even more as if one is peeking into this situation...or finding oneself in it! It's excellent.
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![]() Julie herselffrom Here and There 302 posts | Thanks so much for your critique, Kath. This is a really different style for me, so I really appreciate the feedback. I'm always cutting words . . . how I do love them (too much)! |
![]() Julie herselffrom Here and There 302 posts | Quite shamelessly bumping this up. I've reworked a bit, and am afraid that with all the words I've cut out (both before publishing it, and following suggestions) that the meaning is lost. But I sometimes have trouble seeing around my own work. Does this look like anything more than a poem about sex?
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![]() Paradiso, Tracey Associate, 1902 posts | I'm pretty tired, so right now I'm seeing a lovely fantasy and/or sensual prelude to some possible sex. Knowing you, I'm sure there is at least one whole other dimension here, if not four. I'll revisit this; I like it a lot. |
![]() Leanne Hansonfrom Just west of the lounge room Associate, 3708 posts | This might be just me, but apart from the obvious allusions I don't get sex out of this at all. It sounds to me about reading either a book/poem or a letter. The last lines seem to be saying "you've laid yourself bare by writing and I'm completely open while I'm reading". I like the sounds you've employed in the first few lines, particularly the near-rhyme of voyeur/more. To take full advantage of the continuation of sound, you might like to rearrange L5 to "to move in closer". "Lightly brush my lips" is ever-so-close to cliche. It is almost saved by "upon your thoughts" but I would suggest rethinking it anyway. Similarly, "for just a little while" -- there are more interesting ways to say this. All things considered, though, it's well on its way to a very fine poem. (And if I've got your metaphor wrong, don't worry, I just like books...) |
![]() Paradiso, Tracey Associate, 1902 posts | This also comes across as the poetry of the mystics, the sensuality & inebriation at the spiritual tavern. And yes, I can see how this could be taken just as Leanne has understood it, and I quite like that. |
![]() Julie herselffrom Here and There 302 posts | Yes! I'm so glad it wasn't lost. I could kiss you both! Leanne, thanks so much for the helpful comments. Will do some more work on this. |
![]() Shannon McEwenfrom Canada 463 posts | It's very sensual, spiritual almost. I think you demonstrate well how I feel sometimes when I'm writing. ----- Life is what happens while you wait for great things. Life is what happens while you wait for great things. |
![]() Julie herselffrom Here and There 302 posts | Actually, one angle that I think might have been lost was the comparison between the willing vulnerability of the 'exhibitionist' and something of a playboy (penthouse) photo shoot. There may be too much trying to happen in this poem.
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![]() Leanne Hansonfrom Just west of the lounge room Associate, 3708 posts | I don't think there's too much going on, really -- your metaphors aren't particularly tangled. There are quite a few layers to this though and it's not always simple to get every aspect of a poem on first reading. In fact, part of my own personal requirement for excellent poetry is that there's more waiting for me when I come back to it. |