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Shakespeare's Monkeys

Infinite Monkeys. Infinite Typewriters.

More in The Personal Space of U668857

On Chesil Beach

On Chesil Beach

The car radio tuned to Wessex FM;
a snug interior shifts to buffeting winds:
great humps of air hitting broadside
with sporadic sheets of rain; the wild sky:
a grey strata, layered in dark densities;
the causeway cars shunt and counter-veer
with resolute headlamps and full-speed wipers. 

I navigate the car-park's pot-holed harbour
and berth beside the Fleet lagoon. I should
be dropping anchors, tying up to jetties.
In cabin-calm ignition-off, the fury outside
redoubles, subsides, assays the doors again.
I watch a wading cluster of oyster-catchers
hugging the mid-tide channels; sea-gulls
hang and dive like kites that pull away.
 

Mid-day lights on Portland blur
on high-winding rock - a hump-back breaching
furious sea; the lighthouse pricks
a pin of light and teeters back from the edge.
On the radio, an anecdotal voice recounts
the incidence of Portlanders self-stranded:
self-contained like Crusoe, content to stay
holed-up, removed in rocky outposts. 

I venture out at last: a rushing intake
of clamorous flapping air and gull-piercing
cries of sea-marsh and smarting salt;
a stepping-stone skip then foot-crunching
trudge up the shingle ridge to reach
the beach's summit. I climb and peak to mountains
avalanching mass churnings of sea and sky. 

Standing-up is a free-fall, a brace
against the rush and roar of grey gusts
face-slapping with maniacal fury.
The spit and spume of foaming froth; a rake
of wave-clawed pebbles skittering seaward
then blasted back like buckshot spraying shrapnel
down the long shore's far-reaching drift. 

Grey mists and white mists contend,
cartwheeling the long shingle ledges -
an iron churn and pounding gouge of surf.
I lean like a wave-tossed buoy
on the vast edge of indifferent space:
the car is gone, Portland Bill is gone,
and the lonely planet hangs in futile rage.

Comments

Alcuin of York - on Aug. 22 2007
Nit: ‘Cartwheeling' is one word.

At first I didn't like this, probably because of the seemingly incessant short sentences and phrases, but then I realized your phrases varied a lot, but seemed choppy because of the large number of adjectives. When I read it a second time, I saw the richness of the writing. It's full of clear images and good exposition. The alliteration is obvious, but not overbearing, and when I read it aloud (one of my criteria), it sounded out well. I like this very much, in particular the next-to-last stanza. My least favorite is S3, which sounds a bit like a laundry list, perhaps because the sentence lengths are too nearly equal.

A few suggestions, though I'm certain you've considered at least some of them: S1L3: I think ‘hit' instead of ‘hitting' would work better. L4: "With" sounds ‘off''; perhaps "in" would work better.

Alcuin


U668857 - on Aug. 22 2007

Many thanks, Alcuin.

I've changed that cartwheel typo (much obliged). I'm ruminating over the other suggestions. Yes - I guess this one takes a few re-reads (and I agree about S3 - might revisit that one when I can come back with a fresh perspective). Rgds.,Alan.


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