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Shakespeare's Monkeys

Infinite Monkeys. Infinite Typewriters.

More in Daniel's DMV Work

Mary Magdelene

Mary staggers
into the party
and whispers
I fucked Jesus

Under her dress
her flesh is split
from glass and razors
she steals from
medicine cabinets of friends

Sighing,
she parts the crowd
going forth
towards the Chivas
Regal and another
night's suffering.

Jesus Rodriguez
leans against the wall,
arms folded, the way
his Tio taught him
fifteen years ago.

He has a feeling
that a baby grows
in his girl's belly,
and this feeling
is stronger than rice.
It is stronger than the Latin Kings.
It is stronger than the bleary-
eyed magnetism drawing his
tired, damaged mother back
home every time.

On the sofa
Sophie Perez leans
in and giggles in time
to the drunken patois
of the guy she'll let
nail her in his car
later tonight.

Mary watches from the
makeshift basement bar.
She is always
a supporting character,
always some sort of
white bird of peace,
always the one left
with the feelings

She whispers,
I fucked Jesus,
but I am in love with you.
Anstey - on May 1 2007
The circling back and repetition work for me. I have no real problem with the blasphemy. I think it all works. The title especially adds to the way I read the poem.
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  • stephan

U668857 - on Aug. 22 2007

This is excellent! It's shockingly good and extremely vivid. It's stripped down to essential words, essential detail and description. There's a concreteness to it: nothing is vague or wishy-washy; and it pulls you in with a narrative immediacy. It cleverly uses the biblical names (with all their connotative associations) and superimposes the dramatis personae into a modern contemporary (almost street-life) urban setting. This layering of historical over contemporary gives an extra richness and intrigue to the scenario. The hard-hitting hard edge is ultimately laid bare to reveal a deep humanity despite iteself. Great piece! Rgds.,Alan.

 


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