
the sound of this poem - cadence, aliteration, et al - is so wonderful that I almost forgot to pay attention to the poem's imagery.

In addition to Derma's sonic appreciation, I was particularly taken with S3, in which you manipulate
orientation, allowing the reader to experience the 'shores' of night from a vertical perspective, as
though 'falling' through the stanza with the snow, one of those occasions on which a choice of
adverb can exert a strong influence on the reception of imagery :>
[excuse the formatting -- an attempt to circumvent the imposition of that right div menu on the comment
box whilst typing]

Thanks Derma, Laura - I guess it is a sort of tone poem, a snowy nocturne ...an attempt at word-music...Rgds., Alan

I also sensed a certain sadness in thie piece, perhaps in my reception of the imagery, regarding the
metamorphic properties of snow. It's almost as if the musical qualities of the poem are an antidote to
the superficial (visual), transitory effects described -- an illusory respite rather than a cathartic rebirth.
Maybe that's just me looking for a melancholy drift of meaning :>

Hi Laura - that's a perceptive take on the piece. As you say, the metaphoric overtones of snow suggest illusion,
transitory beauty, temporary unity and connection (to mention just a few). I half had in mind the masterful ending
to Joyce's "The Dead" (from "Dubliners") - you'd be hard pressed to find a more beautiful and melancholic evocation
of snowfall with all its inherent symbolism and metaphor...BRgds., Alan

Thanks for that ref Alan -- I've located an online 'copy' of "The Dead", and will start reading once I've
organised some warm clothing and a shovel...