
I've read this a few times. Oddly, I'd like to comment backwards, beginning with: There's something I just love about the last two stanzas. I think you manage to say a lot about the relationship between the writer and page in very few words there and it flows well.
All that leads up to it -- I like it, but some of it feels forced, or perhaps just doesn't flow as well. In fact, now I'm wondering if that's on purpose - a "rough-ish" beginning, better flow in the dialog, then a great ending (the writer succeeds!).
I'd love to hear other comments, and also what you're thinking, Kat. (And welcome aboard!)

thanks Tracey......this one is the proverbial 'writer's block' poem......but I was hoping to create an adversarial, yet creative, relationship between poet and the blank page.....without taking the poem or the poet too seriously......so it's a bit rough around the edges.....though any suggestions would be appreciated......Kat

Great humor here. Also a great parody of some film noir. Should we call this a 'poem noir'? The juxtaposition of cigarette at the beginning and crayons at the end is also good. It adds a measure of absurdity to the parody, and accurately expresses the writer's frustration when faced with block.
As Bogey might say, "Nice write, schweetheart".
Alcuin

"poem noir"......a great idea.....and for added ambiance, should be written whilst drinking pinot noir [though I imagine Bogey never drank anything but jack daniels]......thanks for the read......