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Shakespeare's Monkeys

Infinite Monkeys. Infinite Typewriters.

More in Shan's Crap (Shannon McEwen)

Cycling naked through my thoughts

My first Connachlonn - okay Leanne rip it to shreds! (or anyone else!)
On this very non-descript dull day
Way beyond my physical touch
Much of “you” clings to most of me
Seeing you in every other thought
Ought to make you smile in your dreams
Seems like I’m just a little addicted
Fed a constant diet of your beautiful light
Right in the midst of constant chaos
Lost between where I am and you sleep
Keeping my body in constant need
Leading my mind back to you

1- Leanne on June 5 2007

First, the form is quite technically perfect and nicely handled.  I do find the "addicted/fed" a bit much, because to really get continuity of sound you have to stress the "ted" part and I don't particularly like that.  It needn't be overt, but it should be recognisable, if that makes sense.  I also get the feeling that "right" is just a filler to make the rhyme for "light" (L7/L8) and just like with end rhyme forms you need to be careful that you're not letting the rhyme write the poem.  To be strictly correct the very last syllable of your last line should be the same as the very first of the first line, however I've found this particular rule to be ignored more often than not as there's so much distance between the two as not to matter much. 

Finally, I've never really seen the form used for such a subject -- and while that's not a bad thing at all (innovation and creation and all that) I don't know if the subject is driven enough for the form, which is bardic by nature rather than strictly lyrical.  But as a first shot, it's not bad at all   

3- Leanne on June 6 2007

They're mostly used for storytelling -- it needn't be anything grand and heroic, but they work best when there's movement of some kind.
Shannon McEwen

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on June 5 2007
from Canada

Sharp like a wet noodle
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