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Shakespeare's Monkeys

Infinite Monkeys. Infinite Typewriters.

More in trying to apologize

Searching for Something: On how I write poetry.

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I have this amazing friend, who I was talking to about poetry and such, and she was seemingly taken aback when I said, "I don't buy into the 'writing from the heart' or 'write what you feel' or any of that crap. I just decide what to write and write it. I have A LOT of poetry that I've written... most of it is absolutely awful. I can't be worried about that though. One must accept what happens and move on."

I thought at first, it was because she took that as a personal insult to her own work, but I think, maybe that wasn't it. It is as much an insult to anyone that reads what I write, and doesn't think it's crap, and feels inspired  or moved by it. It suggests that I"m being insincere and manipulative in everything I write and do.

And, as I've said to anyone who asks, It isn't as if anything I'm writing is some great masterpiece -- the English language will be fine without my tiny bit of turd on the grand pile of verbiage.

When I write, the meaning and sincerity are there, even if, during the act of writing, I do my level best to not let my emotions control my pen. I realize that I am at odds with almost every poet I meet on these issues.

I write best when I separate myself from my feelings on things. I construct poems, and try to use craft and skill. One of the first things I do is try to remove the line i like most and rewrite the poems without it. Almost every poet I know, thinks I'm an idiot. BUT, it works for me. I don't tell anyone how to write poetry really. For just that reason.

To my way of thinking, poetry is just like any other writing. It's no different to write a poem than it is directions on how to tie shoelaces. The only difference is the effect. A poem typically works toward the emotional; the tools we use to write a poem are more effective in evoking feelings and emotions than say the language and tools one uses to describe putting together a bookcase.

When I start a poem, I decide its purpose and atmosphere first. That allows me to select the language, the rhythm, and the images more specifically relevant to the piece. It's really no different than how I might write an essay and the fact that feelings are set aside does not remove the meaning of the message.

I do not write for some sort of emotional catharsis. My writing gives me all the joy that any act of free will might, but the connection to an audience -- the moment when someone understands some something that is in my head, and understands me -- THAT is a reason to write.

What I 'feel' is irrelevant to writing process except perhaps as subject matter, but what I think and learn and known, and how I'm able to share my feelings and communicate my thoughts through writing -- using poetic tools, or prose tools, or tech-writing tools -- that's an amazing thing full of meaning.

Fully grasping what I want to say, finding some inner calm, and letting go of random stray emotion and feelings before I write, that does not mean that what I write was not ABOUT my feelings, it means I tried to set them aside while i wrote it. Writing for me is about communicating, it's not about making myself feel good. I'm not often trying to release some inner demons or work out my thoughts when I write. That is more what I do when I sit quietly by myself.

Regardless, the point is this: I'm not insulting you when I say I don't buy into the write-what-you-feel or 'write-from-the-heart' things. I am sure for many of you, that's exactly what you do, and it works for you.

To those I will inevitably insult whenever I talk about these things -- I suppose you can take this as a blanket pre-apology, and then I'll give you a personalized one after the fact.

Comments

Derma Kaput - on Apr. 10 2007
Not only am I not insulted, I agree with almost everything you say here, though my own process probably differs in small ways.  as far as I'm concerned, craft is the bottom line in becoming a good poet, just as it is in any of the arts.  what differentiates well-crafted poetry, though, is inspiration and the ability to evoke genuine emotion, or thought, from the heart of the reader.  at least that's my take on it.
Alcuin of York - on Apr. 10 2007
Too bad I can't give it two thumbs up. In fact, if I was all thumbs, I'd give it 10!
It's part of the American ethos to believe in the amateur - that the expert is no better than the Bruce Willis type of anti-authority, fly-by-the-seat-of-your-pants, good ol' rough-and-tumble American. Guts over brains, feeling over cogitation. I believe feeling should be one of the guides - in writing and much else in life. However, it quite simply shouldn't be at the head of the pack; it should merely be consulted, to keep us headed in the right general direction.
In WWI, the French believed in elan, which was spirit, courage, a stout heart. The Germans believed in machine guns and well-considered fields of fire. In the early days of the war, a huge number of Frenchmen died charging the German lines. Today we believe that tough spirit and a positive attitude can be substituted for planning, knowledge, and calculation. Instead, we've had failures in Iraq, New Orleans, Boston (The Dig), the CIA, the NSA, our schools and the list goes on and on. In writing, as in the real world, good results come from a combination of good ideas and feelings, good abilities, and hard work. There are few Beethovens in the world; there are even fewer Mozarts. Kudos, Stephan.
Leanne - on Apr. 10 2007
GET OUT OF MY HEAD, ANSTEY!!!
Joe R - on Apr. 11 2007
Thank you for that perspective! I like this bit "One of the first things I do is try to remove the line i like most and rewrite the poems without it." With learning music, this is a great technique to help avoid cliche lines and guitar licks that you hear all the time. I imagine this can have the same effect in writing. I like that you are concerned with craft, it seems a good approach.
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