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Infinite Monkeys. Infinite Typewriters.
More in Choosing the Middle Choosing the Middle
This is a great idea, and nicely drawn, but the biggest problem I can see is a need for economy. I think you'll find you achieve more with less superfluous words (more punch less tickle). Shannon's already covered a lot of the places that can be tightened up and they're all good suggestions. You do need to be careful of cliches. Using fluttering and butterfly together, for example, is a bit overdone. So, unfortunately, is the idea of eyes as a lake/sea/pool. "Holding a knowing secret" is awkward -- it makes it sound like it's the secret that knows something, not the holder. These images repeated in the last stanza just don't work for me, because they're not exciting enough. I really do like the concept of the carnival and the game of chance (it works as a metaphor and an anecdote). Some day I must find out the significance of this blue motif that keeps showing up in Anstey poetry.
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