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	<title>Up For Parole</title>
	<link>https://dev.shakespearesmonkeys.com/section-656-up-for-parole</link>
	<description></description>
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 <item>
		<title>Faunication</title>
		<link>https://dev.shakespearesmonkeys.com/article-10306-faunication</link>
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		<description> Sideways look,



I don't believe, she says, you know --

What's your favourite by Rimbaud?



Ah, say I, the best of him

was his full stop.  I cannot quote

his pages, though 

I've read them all.  I don't speak French,

you understand, but he --

debauched, a dreadful man -- 

he spoke my tongue, and spoke it well.



He's gone to Hell, she says, and I --

well, I just sigh.  It's Hell he left.  

Full stop, he wrote.  

(Enough of this, this pleasure dome,

I'm done with poems.)



How brave he was --

depraved and vile --

while I just sit 

and dread the hour

when cowardice alone will force 

my own full stop.  



Sideways look,



Well, I can quote

each word he wrote.



I pity her.  She knows the lines

but never learned

to join the dots.  ... more  </description>
		<dc:creator>Leanne Hanson</dc:creator>
		<category>Up For Parole</category>
		<pubDate>Fri, 27 Nov 2009 00:08:02 GMT</pubDate>
		<comments>/section-656-up-for-parole#comments</comments>
		<slash:comments>1</slash:comments>
		<wfw:comment>https://dev.shakespearesmonkeys.com/comments/post.php/article/10306</wfw:comment>
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	</item>

 <item>
		<title>Helen</title>
		<link>https://dev.shakespearesmonkeys.com/article-9350-helen</link>
		<guid isPermaLink="true">https://dev.shakespearesmonkeys.com/article-9350-helen</guid>
		<description>Revised 23/08/08</description>
		<dc:creator>Leanne</dc:creator>
		<category>Up For Parole</category>
		<pubDate>Sat, 11 Jul 2009 07:17:04 GMT</pubDate>
		<comments>/section-656-up-for-parole#comments</comments>
		<slash:comments>11</slash:comments>
		<wfw:comment>https://dev.shakespearesmonkeys.com/comments/post.php/article/9350</wfw:comment>
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	</item>

 <item>
		<title>To Wilde</title>
		<link>https://dev.shakespearesmonkeys.com/article-10305-to-wilde</link>
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		<description> They piss on your grave, 

these anti-aesthetes, for whom beauty is found 

in glorifying the harsh and jar jangling angled 

wastelands, small i overdone, 

like dodo eggs in Alighierian imaginings. 



You would pat their heads, 

poor pretentious fools, and send them back to school 

to learn that a nymph is not simply a stroke of a pen, 

but a well – she will tell a thousand dreams 

to Scheherezade, whom they would suffocate. 



In Pere Lachaise, you are languid, 

as Morrison gathers frogs to his bosom, lizards 

having long since shed their skin, singing scales 

against Chopin’s Polonaise or Amazing Grace 

with equal facility, in disregard for the breathless. 



You keep fine company, 

but your bones are not your own, they have long gone – 

rejecting the prosaic earth, they calcified the air, where 

sunlight hid in waterfalls of thought and Thalia 

sought to flambé sombre soldiers in their own affected arts. 



In the corner of a promise 

you stow your reflection; shadows spring fully suckled 

to virgin pages.  Shattered tablets lie forbidding in closed chambers, 

beneath the sleeping Endymion; bring us Arcady, where beauty 

is untrodden.  Bring us clowns, whose hearts may not be broken.  ... more  </description>
		<dc:creator>Leanne Hanson</dc:creator>
		<category>Up For Parole</category>
		<pubDate>Wed, 26 Nov 2008 02:23:57 GMT</pubDate>
		<comments>/section-656-up-for-parole#comments</comments>
		<slash:comments>0</slash:comments>
		<wfw:comment>https://dev.shakespearesmonkeys.com/comments/post.php/article/10305</wfw:comment>
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 <item>
		<title>Automontage</title>
		<link>https://dev.shakespearesmonkeys.com/article-10304-automontage</link>
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		<description> Somewhere under yesterday 

your happiness was killing me; 

I heard Jimi Hendrix play 

Beethoven’s second symphony 

on mandolin with Morrissey, 

whose aria was heavenly. 



Someone threw a dead bouquet, 

a colander of Beaujolais; 

the trappings of the bourgeoisie 

all locked up with a minor key. 



Left of yellow disarray, 

you wandered into Rick’s café 

and ordered from the cold buffet, 

then washed your feet in Sencha tea, 

your Buddha belly on display 

in corpulent discourtesy. 





Folded into leased esprit, 

I was decreased and stole away; 

and fallen into liberty, 

I made it over yesterday. </description>
		<dc:creator>Leanne Hanson</dc:creator>
		<category>Up For Parole</category>
		<pubDate>Wed, 26 Nov 2008 02:22:48 GMT</pubDate>
		<comments>/section-656-up-for-parole#comments</comments>
		<slash:comments>0</slash:comments>
		<wfw:comment>https://dev.shakespearesmonkeys.com/comments/post.php/article/10304</wfw:comment>
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 <item>
		<title>Inheritance</title>
		<link>https://dev.shakespearesmonkeys.com/article-10303-inheritance</link>
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		<description> We are the wastrel heirs of Knowledge. 

 

Poor Sophia, she rode the currents of dark 

and built her light, a monstrous mound from which 

nothing could be removed. 

Today, she lies dead at our feet, 

her body whole – 

only her heart is gone. 



So we, her children’s children, plunge fingers 

into that pile, that has frightened us for so long, 

and it sticks to our hands, trying to seep through the skin. 



As one we draw back. This is not meant 

for hands as pure as ours. 

Someone – tidemarked elbows showing 

how deep he had thrust – mentions a market. 

“People will pay for this,” he tells us, 

“They will not know how little it is worth.” 



We cannot shift it whole – how heavy it is! – 

so I, the bravest fool, carry samples beneath my tongue. 



To bright lights and tin noise, our 

chosen home, we trip. God watches 

from his xenon cross, blinking sleepily 

as we play. The house does not know 

the coin we carry; no credit is extended, no 

back alley bargains struck. We turn 



and he is there. Ragged beggar-man 

with hungry eyes, “I 

will dice for it,” he says. “I have the means.” 

He shows us deeds to nations, 

bank drafts and patent papers, 

mining rights, 

charts and charters and crocks full of gold. 

Beneath my tongue, the taste grows bitter. 



“No dice,” says Elbows (why 

have I not seen him before?) “We trade.” 

In slickest style, the bargaining begins 

and when we wake, back in Her house, the pile is gone; 

we are left with an old coat and papers 

full of power. Here is the world, to rest in our palms; 

Elbows wears a Gucci crown. 



And I? I want nothing 

but to taste that bitterness again.  ... more  </description>
		<dc:creator>Leanne Hanson</dc:creator>
		<category>Up For Parole</category>
		<pubDate>Wed, 26 Nov 2008 02:21:08 GMT</pubDate>
		<comments>/section-656-up-for-parole#comments</comments>
		<slash:comments>0</slash:comments>
		<wfw:comment>https://dev.shakespearesmonkeys.com/comments/post.php/article/10303</wfw:comment>
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	</item>

 <item>
		<title>Kaolin baths</title>
		<link>https://dev.shakespearesmonkeys.com/article-9120-kaolin-baths</link>
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		<description> Revision 9/7/08 
 No longer green, today the jade

spreads faded suppositions through

a future mewling extra cream

in streams that once knew lemonade. 
 One yes and then the nos rush in,

a dynasty bred just for height,

a kite with tails of docking line

as finest China coats the skin. 
 He seeks, he seeds, he smooths his way;

decay is dancing on his string,

a tincture bleeding salt and oil

to spoil the surface of the clay. 
 But wheels will turn, though weary feet

don't meet the ground the way they should --

we stood where God was greener still 

and willows bent beneath the heat.  ... more  </description>
		<dc:creator>Leanne</dc:creator>
		<category>Up For Parole</category>
		<pubDate>Wed, 26 Nov 2008 02:15:25 GMT</pubDate>
		<comments>/section-656-up-for-parole#comments</comments>
		<slash:comments>20</slash:comments>
		<wfw:comment>https://dev.shakespearesmonkeys.com/comments/post.php/article/9120</wfw:comment>
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