Skip to main content Help Control Panel

Shakespeare's Monkeys

Infinite Monkeys. Infinite Typewriters.

More in Meter for dummies?

Meter for dummies?

<< Previous Next >>
I think I see your problem. You're thinking of meter as just a generic THING. It's not. Every line of poetry is metric in that it can be broken up in to metric units. For example, yours could be said:

i MET/ a TOAD/ on HIS/ way HOME/ from CHURCH

which is iambic (iambic pentameter to be precise, because it's got five beats).

It could also be said like this:

I met a/ TOAD on his/ WAY home from/ CHURCH

which is, in fact, dactyls (a dactyl is three syllables to a beat or foot, DA dum dum). Try it and see the difference in the rhythms. Iambic is a bit like a heartbeat, which is why it's often used for ballads; dactylic is more forceful, and it's often used for stories with morals or teaching. (Personally I like dactyls best but I'm didactic...)

One single line can actually be read several different ways -- where meter comes into its own is through a series of lines, creating symmetry and continuity of rhythms.

Say:

To NIGHT/ lies HEA/ vi-LY/ with OUT/ a STAR

that's iambic. Fairly perfectly so, in fact. But what makes meter work is several of the lines following a pattern -- the way you write your meter gives your poem extra depth, because the sound of it creates mood.

However, even a free verse poem can be broken up into metric units. Free verse just doesn't follow regular metric patterns, but knowledge of meter will invariably improve your freeverse.

by Leanne on June 15 2007