Skip to main content Help Control Panel
Infinite Monkeys. Infinite Typewriters.
|
More in Meter for dummies? Meter for dummies?
I think I see your problem. You're thinking of meter as just a generic THING. It's not. Every line of poetry is metric in that it can be broken up in to metric units. For example, yours could be said:
i MET/ a TOAD/ on HIS/ way HOME/ from CHURCH which is iambic (iambic pentameter to be precise, because it's got five beats). It could also be said like this: I met a/ TOAD on his/ WAY home from/ CHURCH which is, in fact, dactyls (a dactyl is three syllables to a beat or foot, DA dum dum). Try it and see the difference in the rhythms. Iambic is a bit like a heartbeat, which is why it's often used for ballads; dactylic is more forceful, and it's often used for stories with morals or teaching. (Personally I like dactyls best but I'm didactic...) One single line can actually be read several different ways -- where meter comes into its own is through a series of lines, creating symmetry and continuity of rhythms. Say: To NIGHT/ lies HEA/ vi-LY/ with OUT/ a STAR that's iambic. Fairly perfectly so, in fact. But what makes meter work is several of the lines following a pattern -- the way you write your meter gives your poem extra depth, because the sound of it creates mood. However, even a free verse poem can be broken up into metric units. Free verse just doesn't follow regular metric patterns, but knowledge of meter will invariably improve your freeverse.
|